Escapology: On Writing and Restraint

Bending Genre

First, you slip your arms through the overlong sleeves of a brand new white jacket. That new clothing smell: bleached cotton, crisp canvas. The discovery of curious leather straps and metal buckles, the function of which are yet unclear.

The discovery—stranger still—that the sleeves are sewn shut.

For argument’s sake, let’s say this jacket has a particularly tight fit. Let’s say that, straps cinched and buckles fastened, the snug garment pretzels your arms across your chest, left arm over the right, pressing your thumb-knuckles into your ribs, a tight vertical belt running from your navel to your coccyx.

Imagine, if you will, that you’re literally tied in a knot.

Straitjacketed.

Now, let’s say you’re hanging upside down on the stage of a vaudevillian theatre. Dim chandeliers sprout from the ceiling/floor like ornate stalagmites. Your head beats with blood-thrum; your hair hangs like single, limp wing. Stage lights hot as stove-tops…

View original post 4٬773 more words

Advertisements

اترك رد

إملأ الحقول أدناه بالمعلومات المناسبة أو إضغط على إحدى الأيقونات لتسجيل الدخول:

WordPress.com Logo

أنت تعلق بإستخدام حساب WordPress.com. تسجيل خروج   / تغيير )

صورة تويتر

أنت تعلق بإستخدام حساب Twitter. تسجيل خروج   / تغيير )

Facebook photo

أنت تعلق بإستخدام حساب Facebook. تسجيل خروج   / تغيير )

Google+ photo

أنت تعلق بإستخدام حساب Google+. تسجيل خروج   / تغيير )

Connecting to %s